Jumat, 22 Januari 2010

Free PDF Why We Suck A Feel Good Guide to Staying Fat Loud Lazy and Stupid 2008 publication.By Denis Leary

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Why We Suck A Feel Good Guide to Staying Fat Loud Lazy and Stupid 2008 publication.By Denis Leary

  • Sales Rank: #13112082 in Books
  • Published on: 2008
  • Binding: Paperback

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Selasa, 19 Januari 2010

Free PDF Star Wars Storyboards: The Original Trilogy, by J.W. Rinzler

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Star Wars Storyboards: The Original Trilogy, by J.W. Rinzler

Review

“Star Wars Storyboards: The Original Trilogy shows just how much pre-planning went into the original iconic trilogy.” (The Week Magazine online)“Star Wars fans, take note . . . the book offers a glimpse into the detailed planning and rounds of story revisions that went into the original films.” (Parade Online)"Star Wars fans, rejoice — today is the big day that Lucasfilm opens up the archives and bestows upon you Star Wars Storyboards: The Original Trilogy." (Flavorwire)"The book contains fantastic insight into how the films' stories and characters were conceived…" (Esquire.com)"Nerd out over how Star Wars might have been." (Wired)"Every Star Wars fan should get this Star Wars Storyboards book." (Gizmodo)

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About the Author

J. W. Rinzler, executive editor at Lucasfilm Ltd., is the author of the New York Times bestsell­ers The Making of Star Wars and The Making of Star Wars: Revenge of the Sith. He lives in Petaluma, California. Joe Johnston served as a storyboard and concept artist on the original Star Wars trilogy. He has since directed The Rocketeer, Jumanji, and Captain America: The First Avenger. He lives in Los Angeles. Nilo Rodis-Jamero served as the assistant art director of visual effects for The Empire Strikes Back and as costume designer for Return of the Jedi.

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Product details

Hardcover: 352 pages

Publisher: Harry N. Abrams; 1 edition (May 13, 2014)

Language: English

ISBN-10: 9781419707742

ISBN-13: 978-1419707742

ASIN: 1419707744

Product Dimensions:

9.5 x 1.2 x 12.2 inches

Shipping Weight: 4 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

107 customer reviews

Amazon Best Sellers Rank:

#134,111 in Books (See Top 100 in Books)

Seeing that there's already Star Wars Storyboards: The Prequel Trilogy, it's probably not surprising to expect a second book to complete the set.Star Wars Storyboards: The Original Trilogy is as thick as the earlier book at 352 pages. It's hardcover and the paper quality is nice.The storyboards featured are split between Episodes IV, V and VI, with 82, 112 and 142 pages devoted to each respectively.These storyboards are of course way older than those from the Prequel Trilogy book. Some of the storyboard artists include Joe Johnston, Ralph McQuarrie, Nilo Rodis-Jamero, Roy Carnon and more. There are 15 artists total. You can see different drawing styles, and medium such as in pencil, ink, markers and even watercolours.Not every sequence in the film are included of course. In this book are mostly those that require visual effects, or action scenes, or the more complex sequences. It's cool to study the composition and story flow, and the handling of space and perspective is impressive.The art is fantastic. Many of the storyboards are drawn quite detailed. You can actually make out the designs for the mask that rebels and stormtroopers are wearing. Same goes for the many spaceships and robots.It's interesting looking at the storyboards for these three old films. Even though the technology supposedly outdated by today's film or sci-fi standards, it doesn't feel that way because of the suggestive nature of art.The text only comes in the form of short captions describing the scenes on each page.This is a great artbook that goes well together with the Prequel Trilogy book.Highly recommended to those who love Star Wars and storyboards.(See more pictures of the book on my blog. Just visit my Amazon profile for the link.)

Can't recommend it enough. The best Star Wars experience since watching them for the first time as a kid.Especially for the boards about A New Hope, you can see how early/unfinished ideas about the script, characters and design evolved into something more familiar. It shows what could have been (in the earliest boards, ANH was much MUCH more violent) and some of what (thankfully) never was.I really like the care it takes to showcase each artist's work and interpretations throughout. These guys played such a big role in shaping this huge piece of pop culture, and it's good that they can get their due!

I'd say author/editor J.W. Rinzler deserves an MVP award for his current contributions to Star Wars fandom. He's hit another home run for the team with this OT Storyboards book. I loved his "Making of" books, and this is a perfect companion piece for them. It just keeps getting better. This book is not just a collection of various storyboard art. For the first time (I believe), Rinzler uses the original storyboard art to re-tell the stories of the three original movies (A New Hope, Empire Strikes Back, Return of the Jedi) in their original theatrical release form.Text is sparse in this book. Beyond the foreward and introduction, it's all artwork with brief captions.If there is a drawback to this book, it's that not all scenes are included--probably to keep the page count and price manageable. One glaring omission is the Cantina scene. Given how choppy the Kenobi/"Walrus Man" battle was, I'd like to see how it was portrayed in storyboards.If there is one treasured advantage to this book, it's that we see more drawings based on early designs that didn't appear in the movie. For example, the original Millennium Falcon was the Blockade Runner ship from Ep4's first scene. The cockpit was reused for the MF's "hamburger" design so the BR got a "hammerhead" cockpit. In these boards we see the original MF design escaping from Mos Eisley and being captured by the Death Star. That kind of stuff pleases me to no end!SPOILER ALERT! You won't believe what Alderaan originally looked like! It looks pretty familiar!It appears that Rinzler kept his choices as close to the finished movies as possible. That means that pretty much none of the cut scenes are included. For example, the scene of Luke and Biggs early in Ep 4 isn't here. Nor are any of the 1990's Special Edition scenes included. I did find one board from the sandstorm scene in Jedi, and there might be a few other rare instances, but overall the cut material is left out. I very much hope a future edition gets the "Special Edition" treatment with all that added.***Side note for those who don't know what storyboards are.***Storyboards are drawings of each shot for a movie. Every shot in a movie is pre-planned. Directors hire artists to sketch out what a particular shot will look like, meaning who is in the shot, how close they are to the camera, what action is taken (such as a spaceship's movement across the screen), and important background elements. Sometimes storyboard artists are asked to redraw a shot many times, depending on how many times the director changes his/her mind!Keep in mind, storyboards are sketches. They are not conceptual art involving detailed paintings. These are just production sketches that are placed on a big wall so the director can see the flow of the movie. And since directors often use a team of storyboard artists, the quality and style can vary greatly. They also vary in medium: some in pencil, some in ink, some in grey wash tones, and a very few in color. PLEASE DO NOT EXPECT FULLY RENDERED PIECES OF ARTWORK! Directors do not need storyboards that are finished pieces, so it is wasteful to pay for anything more than a sketch that shows the bare essentials for the shot.The beauty in this project is to experience the movies in their raw, imagined form. It's not just a revisit to the visuals or the story. It's a journey into the mind of Lucas and his assistants as they create the greatest sci-fi epic of all time.

I have always loved to see how filmmakers expressed and worked out their ideas on paper beforehand. To me this is a very essential procedure and an excellent creative management tool. Star Wars introduced me to the concepts of storyboards and pre production art and I have enjoyed seeing the progression of ideas and how the films were visually developed.This book delivers! Several of the images I had seen before in the various "Art Of . . " books, and I had expected seeing some of the same material here, but this delves deep into the archives and pulls out images about Ideas I never knew were being discussed, making this book something like a time travel device. If you are into Star Wars, you should have this on your shelf. If you are into the pre-production art of films you should have this book. If you are a student of film, you too should have this book because the art of storyboarding is valuable to the filmmakers ability to communicate. This is a great way to see how film looks are developed.I highly recommend this book.

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Senin, 18 Januari 2010

Ebook Download CircusBy Lois Ehlert

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CircusBy Lois Ehlert

Simple text and brilliantly colored cut-paper illustrations take children into a big top of circus excitement starring leaping lizards, marching snakes, whistling parrots, and the tumbling Zucchini Brothers.

  • Sales Rank: #576341 in Books
  • Brand: Harper Collins
  • Published on: 1992-03-30
  • Released on: 1992-03-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .25" w x 7.25" l, 1.23 pounds
  • Binding: Hardcover
  • 40 pages

From Publishers Weekly
Performers of all descriptions cavort across Ehlert's ( Color Zoo ; Red Leaf, Yellow Leaf ) pages, rendered as iridescent geometric shapes against dramatic black backdrops. Along with classic circus acts--a bareback rider, a fierce lion, "the world's biggest elephant"--are unusual, eccentric choices: a pair of leaping lizards, a band of marching snakes and "those marvelous musclemen, the Pretzel brothers, who form a towering human pyramid." These dazzling artistes are introduced by a ringing text that captures the voice--alliterative, hyperbolic, a tad bombastic--of a grand circus master. Ehlert's characteristically vibrant colors and exhilarating style find even broader scope under the big top. Performed with panache, her junket gives new life to a favorite children's venue and is well worth the price of admission. Ages 3-6.
Copyright 1991 Reed Business Information, Inc.

From School Library Journal
PreSchool-Grade 2-- Just when you think this author/illustrator can take her cut-paper collage style no further, she delights readers with another dazzling display of her talents. This latest offering is a tour de force. After some exuberant preliminaries, a colorful master of ceremonies welcomes readers to ``the greatest circus on earth.'' They are then treated to a series of double-spreads depicting an array of performers: Hugo, the world's biggest elephant; the Pretzel brothers; Samu the tiger; marching snakes and leaping lizards; the flying Zucchinis; a lion and his tamer--and of course, cotton candy, snow cones, and a lovable clown. The text consists of the ringmaster's running monologue as he directs the crowd's attention and reactions, and is less effective than the art. The genius of the work lies in the illustrations. Each spread compels children to look and look again at the way color and shapes combine to create characters that enchant both the sophisticated and untrained eye. --Eve Larkin, Middleton Public Library, WI
Copyright 1992 Reed Business Information, Inc.

From Kirkus Reviews
Caldecott Honor winner Ehlert (Color Zoo, 1989), who's noted for her bold, innovative graphics, presents the circus in stylized shapes so simple that they could have been cut with kindergarten scissors--flat areas of intense, clashing colors set off by solid black or deployed against hot-pink or electric-blue, as vibrant as the circus itself. In a novel piece of design, the pages are substantially narrower than the covers, allowing two rows of stars on the endpapers to provide a frame. Appropriately, the text is a ringmaster's patter, flamboyantly introducing the attractions--with a little time out midway for cotton candy and other treats. The resplendent colors will especially appeal to the youngest; fortunately, the pages are sturdy. Dazzling. (Picture book. 0-7) -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.

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Minggu, 17 Januari 2010

PDF Ebook Imaginary Cities of Gold: The Spanish Quest for Treasure in North AmericaBy Peter O. Koch

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Imaginary Cities of Gold: The Spanish Quest for Treasure in North AmericaBy Peter O. Koch

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Imaginary Cities of Gold: The Spanish Quest for Treasure in North AmericaBy Peter O. Koch

Spanish conquistadors attempted to conquer the New World nearly a century before the English colonists established a permanent settlement at Jamestown. This book examines the unsuccessful elements of Spain's attempt at expanding its empire in the Americas, focusing particularly on the misadventures of three conquistadors. Part One tells the story of Cabeza de Vaca who, along with three other survivors of the ill-fated Panfilo de Narvaez expedition to Florida, spent nearly eight years among the various tribes that wandered across Texas, New Mexico, and northern Mexico before finding his way back to civilization. Their tales of lands rich with earthly delights served as inspiration for two epic but failed expeditions that make up the second and third parts of the book: Francisco de Coronado's quest to find the golden cities of Cibola and Hernando de Soto's efforts to find the rich kingdoms of Florida.

  • Sales Rank: #5226200 in Books
  • Published on: 2009-05-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .60" w x 5.90" l, .75 pounds
  • Binding: Paperback
  • 251 pages

About the Author
Peter O. Koch is the author of several McFarland books. He lives in Austin, Texas.

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